Anthony Edward Stark (
runsonbatteries) wrote in
madeofadamantine2015-02-11 11:44 pm
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OPEN RP POST

☿ Choose character that you want to play with.
☿ Post a picture prompt, a tag, or a general idea. We can make up a scenario, adapt something from a meme, whatever we want to do, this is the place for errthing.
☿ Put the character's name in the subject.
☿ Make flesh sacrifice to ancient god
☿ Role play things!
you know who this is for
First one was too cute not to emulate. /_\ Let me know if this is okay!
So maybe it didn't surprise him that much that he ran into an actual (albeit non-Dracula/purple-skinned-counting) vampire. Maybe Elena felt a billionaire in a tin can was nothing compared to werewolves and chupacabras and whatever else she dealt with back home. Feelings were still unexpected, and from an objective point of view, very bizarre.
They started out trying to navigate their way through shards: jagged points of logic, failed relationships, and paranoia. And all those things are still there, somewhere. But he's coming back from the bathroom with a glass of water, and she's in one of his hoodies.
And if that's not the precursor to so many bad decisions.
One side of his mouth quirks up.] Nice shirt.
totally okay! i kind of took an idea i had and ran with it, let ME know if it's okay!
which, right -- probably the weirdest thing about tony, objectively, is that he's into her. not that elena is complaining, far from it, but it's... it's weird, that someone so much older than her would be willing to overlook her youth, and that someone so human would be willing to see past her vampirism -- though maybe it shouldn't surprise her so much, considering her relationship with stefan. it still feels a little too good to be true, in some ways, like... holy shit, her boyfriend is a superhero. this is not the life she ever thought she'd live, but she can't deny that it's fucking awesome.
one thing that's not awesome? when he leaves on superhero business and elena is left behind. she hates it, so much so that she's started seriously considering petitioning steve to let her on the team -- natasha could totally use another girl to hang out with, and the more the merrier, right? right. but she hasn't quite made up her mind about it yet, hasn't decided if she wants to put herself back into a position where she's in mortal danger every other week, so while tony is gone, she does what any normal girlfriend would do in her position: she raids his closet for clothes that smell like him and wears them almost exclusively. (okay, maybe that's not normal, but it's how elena copes and she won't make any apologies for it.)
tonight, she's wearing a hoodie of his, curled up in their bed and sleeping fitfully, as she always does when he's gone and she can't be there to watch over him. when she hears noise come from the bathroom, it startles elena awake, and she immediately reaches out to turn on the bedside lamp. for a moment, she just sits there, tense, and then tony comes into the room and her eyes go wide. after that it barely takes half a second for her to jump off the bed and run to throw her arms around his shoulders. screw his drink, she has hugs to give. ]
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Though that Matthew McConaughey quote takes on a very literal spin when dating a vampire. He's getting older, and physically, she's still the same age. But he wasn't going to open that box until this either seems like it's going to be long-term-future-serious, or he turns fifty. Whichever happens first.
Speaking of which, aside from drinking blood, compelling people, and retractable fangs, another vampire ability that Elena had was she was roadrunner fast. He sees that she's off the bed and it doesn't even feel like a couple seconds before she's wrapping her arms around him, and he has to do some maneuvering to hug back as tight as possible while also not spilling water on her. It almost seems like a good idea to just drop it, because filling a metal suit doesn't feel half as good as a cuddly girlfriend.]
Follow my lead. [He tells her while starting to walk backwards, wanting to go back into the bathroom, and just abandon it there.]
u kno | how many more pictures can I add
I may have taken this too literally, and will change anything if necessary!
So he couldn't put the same magnifying glass on Isha as other people did. Call it bias, or being too trusting, or thinking with his dick. He sleeps better at night when he isn't being a hypocrite and pretending that he came out of the womb as a superhero and he never did questionable things. He was a war profiteer longer than he's been Iron Man.
This week's crisis involves some underground kingpins that Isha could get information on, and she opted to do it alone. Or rather brought it up and gave herself permission before leaving, and none of them knew where she was. Because even Tony had trouble catching her when she didn't want to be found. And that was really annoying.
It also leaves a vague sinking feeling in his stomach that knowing Isha as competent doesn't completely elevate. He has his own things to attend to, while also keeping an eye out, and waiting for her.]
no worries man also this got super long i'm sorry
Two weeks.
She'd vanished without a word for two weeks. It's not that she fancied herself a hero, never. It's that she knew she could do it alone without a cavalry. Tony would come in blazing and it would've ruined her work.
When she chews her lips as she gazes upon the entrance of the Tower, she draws blood. The gloved hand that holds onto the handles of her sleek black motorcycle reaches up to touch her lips. That is going to warrant too many questions.
Eventually, she swings a leg off her motorcycle. Isha knew his place well enough to simply waltz her way inside. It would be easier if he were in his California mansion.]
I'm still not quite used to the Irish voice.
[Said calmly as ever as the elevator doors open to the tower. She kicks aside some debris or other of... whatever this entire mess is.]
Sorry to have missed the party.
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There is a straight three or four seconds where Tony pivots and looks at Isha, condensing his first reaction into a blank and well-guarded look. It's almost like having the genuine part of the conversation with himself in complete silence, bringing up frustration and protest and relief. Circulating through all of these, and then coming back to the sarcasm she already started.]
I'm still working on the Sean Connery model.
[A fraction of a dart in his eyes and he sees her bloodied lip. He stands up.]
Anyway, looks like you were having your own party.
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Admitting that she worried for him would be a step into dangerous territory for her. She wonders if it's the same for him.
(She's almost sure it's the same for him.)
Isha, if anything, is adept at lying, and most of all, lying to herself. It was instinct for her now. Play the part of immovable and perhaps even uncaring.]
It ended sooner than expected. Hardly mine, though.
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So many things about her were similar and he still didn't feel like he had her all figured out, which might not be such a good thing in weird, candid moments like this.
He crosses the room in order to wet a clean washcloth in the sink and then comes back.]
So you crashed it, in other words.
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[She could tell him what happened. She could openly admit that again she sifted through SHIELD files and found the missing link she needed to pursue an, at best, a shadow. She could admit that perhaps she wound up a little too deep without help.
With light, quick footing, she steps over another armor, hoping to sprawl on one of the couches as she normally would do. But she had to be careful of it. Underneath her clothing and the very light armor are bruises that threaten to swell further at any given moment.
Isha tosses him a sleek black jump drive.]
I bet you've been looking for this.
[Unassuming as it seems, she went through some level of Hell to get everything on that drive back, and then some other level just to fry everything else in the process.]
no subject
Tony slips the jump drive into his pocket for safe keeping, closes the rest of the gap between them, and hands her the wet towel for the blood on her lip.]
So you know how you're always telling me not to do something stupid?
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A part of her wants to ignore the question entirely. Yet he stands before her, point blank, and there's no way to turn the conversation. Besides, she didn't need to hear this from him of all people.]
Did you do something stupid while I was gone?
[Her dark eyes focus squarely on him, vaguely defiant and challenging. She's on guard now. She's the cornered, wounded animal looking either for a fight or a way out.
She's a woman half-lost and unsure of herself.]
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He shrugs.] I was worried about you. [Which causes his eyes to dart as they do when he realizes he said something vulnerable.] ...And you know, a little amiss when people were asking me why we were all trying to accomplish the same thing, but you disappeared.
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Most of the time they believed her.
The admission from him makes her heart skip a beat, and the next slam hard into her sternum. Odd sensation, that.
She sits up properly now.]
Come here.
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He blinks at the request. It's an abrupt break from the sarcasm he was expecting, or Isha striking back at him, since she's never been quiet about someone else telling her what to do.
But he does what she tells him to do, slowly coming over to the couch and standing in front of her.]
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Her dark eyes give him a measured, cool gaze. They said thieves had honor, but it's only to give themselves an excuse as to why the did or didn't do something. What this is isn't an honor code.
It's a debt to his emotions that must be paid in kind. The scales never much cared for how they were balanced, as long as it was achieved.
Or so she rationalizes.]
You can ask one question, and you will get one answer. I promise you that.
[And he should know that she doesn't take her promises lightly. Rarely does she offer them, if at all.]
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It still takes him a few seconds to ask. She says he'll get one answer, but she doesn't promise that the question won't backfire on the two of them (which she couldn't, in any honest capacity). He tries to think of something else, for a brief moment, but he's assessing all the possible outcomes that he can think of, when he finally wets his lips and asks what he wants to ask:]
What are you so afraid of?
[When it comes to working with the Avengers on a common goal, or at least telling him or someone else what she had planned when she went looking for the data.]
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And she wanted to be rid of it. The longer it remained, the thinner it stretched until it turned too tense.
What is she afraid of? Isha is not a particularly fearful person. Heights, dogs, clowns, none of that was a parasite to her mind.
What is she so afraid of?
The endlessness of it all. The cycles that could never break once they begin.
The weakness in her character.]
Blood begets blood. I am not like you. I have no armor. No training. No serum. I'm a thief from the broken streets of London that had nothing for too long. All I have is me, and the reputation that precedes me.
[Her eyes flicker. Isha built herself into this over the course of her life. This greater-than-life figure, this anarchist, this thief, this freedom-fighter, this blackmailer. No one knew her, except for what they wanted her to be. She could not afford anything or anyone to break this. It would be the end of her.]
The ones you love can hurt you the most. You have great, overt enemies. I have insidious ones. I can't have that blood on my hands. It would never end.
[And she knows it wouldn't because she would do the same if anyone dared to cross her or anyone she knew.]
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[He could be referring to Obadiah Stane, who kept his intentions hidden up until the point that he was digging the arc reactor from his chest. But they also had to sever HYDRA from SHIELD's belly like a Nazi tapeworm, very recently.
Tony crouches, balancing his weight on the balls of his ankles, and looking up at Isha.]
You still don't have to go through this lone wolf-thing. Though I'm probably the least qualified person in the world to say this...or maybe I am. If we're talking reputation, I'm the mass-murderer trying to save the world. ...But going at it without anyone, or shutting people out, from now on, whatever you're talking about, it's not worse than the alternative.
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It was always the same, though. It starts one way, and it ends like this.
Her eyes drift to her hands, bruised and covered and scabs. She's not sure still how she made it out alive. All she knows is that there was blood and the world was a blur.]
Alone is what I know.
[Even if some part of her doesn't want to be alone. Maybe that's the real reason she came. She could've left the files somewhere for JARVIS to deal with them.]